By Jayne Pilling
Cartoons―both from the vintage Hollywood period and from extra modern function movies and tv series―offer a wealthy box for unique research and research. individuals draw on theories and method from movie, tv, and media reports, artwork heritage and feedback, and feminism and gender studies.
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Extra info for A Reader In Animation Studies
Notes 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. Frederick Hartt, Art. A History of Painting, Sculpture, Architecture (New Jersey: Prentice Hall), 503. , 504. Jonathan Crary, Techniques of the Observer (Cambridge, MA and London: MIT Press, 1990), 1. ), What is Cinema? Vol. 1 (Berkeley: University of California Press, 1967), 20. , 21. , 20. , 36–37. Jean-Louis Comolli, ‘Machines of the Visible’, in The Cinematic Apparatus, eds Teresa De Lauretis and Steven Health (New York: St.
6. 7. 8. 9. 10. The culmination of these efforts, of course, was Snow White (1937), a feature-length cartoon. However, the same drive is evident in countless other Disney animation shorts produced both before and after the latter. A classic in this regard is The Old Mill released the same year as Snow White as part of the Silly Symphonies series. For the purposes of reproduction and distribution the digital image is downloaded into hard copy – CRT and then film – from the computers central processing unit and memory store.
29. 30. 31. Frederick Hartt, Art. A History of Painting, Sculpture, Architecture (New Jersey: Prentice Hall), 503. , 504. Jonathan Crary, Techniques of the Observer (Cambridge, MA and London: MIT Press, 1990), 1. ), What is Cinema? Vol. 1 (Berkeley: University of California Press, 1967), 20. , 21. , 20. , 36–37. Jean-Louis Comolli, ‘Machines of the Visible’, in The Cinematic Apparatus, eds Teresa De Lauretis and Steven Health (New York: St. Martin Press, 1980), 122. , 133. , 132. , 131. , 131. , 130.